Last Thursday, I attended Tim Hutchings’s ‘CyberBibles’ seminar, organised by Francesca Benatti for the Digital Humanities Research Network at the Open University (this is the same seminar series within which Ann Hewings and I spoke about the teaching of corpus linguistics a couple of months ago; like Ann and I, Tim is more of a social scientist than a humanist, but nobody seems to have complained so far about this dilution of things digitally humanistic). If you weren’t there, you missed a treat. On one level, this was an extraordinarily in-depth study of electronic reading and its differences from the reading of print, using a highly specific case study. On another level, the Bible will always be at the same time one of the most interesting possible case studies in textual culture and something rather more than a case study, regardless of whether you’re interested in the digital, print, or manuscript eras. On yet another level… no, this is just silly. I don’t have to say why it was an interesting topic; that should be obvious. And in any case, the current introductory preamble is in danger of overwhelming this entire blog article. Just read the rest, it won’t take long. It’s mostly tweets!
Time, date, location
The Open University, Hawley Crescent, Camden Campus, London, NW1
Friday November 15, 2013
I’ve just received details of my forthcoming seminar, ‘Network analytic approaches to the production and propagation of literary and artistic value’, at the Centre for e-Research (CeRch) at King’s College London. It will take place at 6.15pm on Tuesday 1 October in the Anatomy Museum Space on the 6th floor of the King’s Building at the main KCL campus on the Strand. As you can see from the abstract, the focus will be on methodology and its theoretical implications (my approach emerges from Bourdieu’s sociology but employs social network analysis: two things that are often assumed to be in opposition). However, I’ll be illustrating everything with details from my empirical research on interactive fiction and a couple of other ongoing projects where I also look at relationships between cultural producers (early 20th century authors probably; contemporary visual artists possibly; maybe also something on electronic musicians). I may find time to talk about the specific digital tools that I’ve been using (for those who care about such things: Python 2.7, NetworkX, PyGraphviz).