Well, at last it seems that my article on using social network analysis to study the production of cultural value is going to appear in Poetics: Journal of Empirical Research on Culture, the Media, and the Arts. The peer review process took a while, but it has been exceptionally useful and constructive. I’ve got a couple of last tweaks to apply, and I’ve got no idea when the thing will actually see print, but forthcoming it is, and I cannot tell you how good that feels. (And by the way: yes, Poetics is an Elsevier publication. It also happens to be a truly outstanding journal whose articles have for years played a huge part in my intellectual development. If you want to know why I am not going to feel guilty about publishing in one of my absolute favourite journals, read here and here. If you’ve got no idea why some people might have a problem with that, congratulations.)
Last month at the Open University, I not-quite-livetweeted Tim Hutchings’s excellent talk on digital bibles. Last week at King’s College London, I found myself – for the first time ever! – being livetweeted (actually livetweeted, no time delays). I’d been liveblogged before, but this was different. So forgive my gauche enthusiasm, but I can’t get over the novelty. It also formed a tidy little record of what I spoke about – as opposed to what I thought I might speak about, or what I promised to speak about. Thanks are due to everyone, but especially to Simon Rowberry.
I’ve just received details of my forthcoming seminar, ‘Network analytic approaches to the production and propagation of literary and artistic value’, at the Centre for e-Research (CeRch) at King’s College London. It will take place at 6.15pm on Tuesday 1 October in the Anatomy Museum Space on the 6th floor of the King’s Building at the main KCL campus on the Strand. As you can see from the abstract, the focus will be on methodology and its theoretical implications (my approach emerges from Bourdieu’s sociology but employs social network analysis: two things that are often assumed to be in opposition). However, I’ll be illustrating everything with details from my empirical research on interactive fiction and a couple of other ongoing projects where I also look at relationships between cultural producers (early 20th century authors probably; contemporary visual artists possibly; maybe also something on electronic musicians). I may find time to talk about the specific digital tools that I’ve been using (for those who care about such things: Python 2.7, NetworkX, PyGraphviz).