Investigators: Daniel Allington (Open University), Anna Jordanous (King’s College London), Byron Dueck (Open University)
Funder: Arts and Humanities Research Council 
Duration: 3 Feb to 31 July 2014
Cultural value is one of those areas in which (as the saying goes) perceptions are also realities. Thus, sociologists have argued that the production of cultural value is actually the production of a form of belief. Although popular accounts of how art gets made tend to focus on brilliant individual creators, research has highlighted over and over again that their work typically emerges from a creative milieu, in which value (or belief in value) comes into existence. This highlights the complex relationship between professional, semi-professional, and amateur cultural production, and may explain why so many cultural producers create work primarily for appreciation by their peers.
Continue reading “Announcement: ‘Online networks and the production of value in electronic music’”
Well, at last it seems that my article on using social network analysis to study the production of cultural value is going to appear in Poetics: Journal of Empirical Research on Culture, the Media, and the Arts. The peer review process took a while, but it has been exceptionally useful and constructive. I’ve got a couple of last tweaks to apply, and I’ve got no idea when the thing will actually see print, but forthcoming it is, and I cannot tell you how good that feels. (And by the way: yes, Poetics is an Elsevier publication. It also happens to be a truly outstanding journal whose articles have for years played a huge part in my intellectual development. If you want to know why I am not going to feel guilty about publishing in one of my absolute favourite journals, read here and here. If you’ve got no idea why some people might have a problem with that, congratulations.)
Continue reading “Social networks and the production of cultural value: forthcoming from Poetics at last”
Time, date, location
The Open University, Hawley Crescent, Camden Campus, London, NW1
Friday November 15, 2013
Continue reading “Forthcoming symposium: ‘Placing cultural work: (new) intersections of location, craft, and creativity’”
I’ve just received details of my forthcoming seminar, ‘Network analytic approaches to the production and propagation of literary and artistic value’, at the Centre for e-Research (CeRch) at King’s College London. It will take place at 6.15pm on Tuesday 1 October in the Anatomy Museum Space on the 6th floor of the King’s Building at the main KCL campus on the Strand. As you can see from the abstract, the focus will be on methodology and its theoretical implications (my approach emerges from Bourdieu’s sociology but employs social network analysis: two things that are often assumed to be in opposition). However, I’ll be illustrating everything with details from my empirical research on interactive fiction and a couple of other ongoing projects where I also look at relationships between cultural producers (early 20th century authors probably; contemporary visual artists possibly; maybe also something on electronic musicians). I may find time to talk about the specific digital tools that I’ve been using (for those who care about such things: Python 2.7, NetworkX, PyGraphviz).
Continue reading “Forthcoming seminar: ‘Network analytic approaches to the production and propagation of literary and artistic value’”
In case anyone’s interested, the abstract is now available for Ann Hewings’s and my paper in the Digital Humanities in Practice series, ‘Corpus linguistics as distant reading?’ We’ll be presenting it to the Digital Humanities Thematic Research Network at the Open University in Milton Keynes, from 12.00 on 4 July. The event goes on until 14.00, but that’s including lunch. Thanks to Francesca Benatti for inviting us and organising everything! Neither Ann nor I is a digital humanist, but Francesca assuredly is, so I shall trust her judgement that this is a good idea and look forward to some interesting discussion.
Continue reading “Corpus linguistics. Distant reading. Available abstract.”
…I have decided to start closing comments on posts that are more than about a month old. I do this with some regret, as real comments continued to be added to one of my articles well over a month after I originally posted it. But the volume of spam this blog attracts has become unmanageable, especially at a time of year when I am supposed to be finishing a book manuscript and dealing with exam-related admin.
If anyone wants to comment on a post over a month old, I hope that he or she will email me to ask for comments to be opened again. I am not doing this to close down discussion – just to get rid of all those pesky Tramadol adverts.
The Open University, Milton Keynes
Christodoulou Meeting Room 01
24th June 2013
The commonplace understanding of reading as an essentially private activity is challenged not only by the very vocal kinds of reading carried out in classrooms, literary festivals, or reading groups (book clubs) but also by the important role it has played in social and political conflict.
Continue reading “Reading in conflict: an interdisciplinary seminar”
…that the furore over my ‘Managerial humanities’ blog article has blown over (on the subject of which: a big thank you to Digital Humanities Now for making it their Editors’ Choice for the week of 30 April-6 May, to The New Inquiry for including it on the Sunday Reading List for 19 May, and to the Cyborgology people at The Society Pages for featuring it in an In Their Words list for 19 May), I am glad to report that I can at last get back to speaking to people face-to-face instead of endlessly arguing on the internet.
Continue reading “Now it seems…”
…to connect this website to the web. Up until now, I’ve been adding pages and posts to get into the swing of things, but without creating a single inward link from anywhere else. Now I’ve changed all that. This means that search engine web crawlers can at last begin to creep their way in and index what I’ve written. Which in turn means that – before long – somebody’s going to end up reading this stuff. It also means that spambots will start trying to post links to dating sites and other online garbage, but I haven’t made it particularly easy to leave comments yet, so that’s less of an issue now than it might have been.
Continue reading “The time has come…”
…I have decided to create my own website. I am conceiving it firstly as a means by which to show how my various publications and other projects fit together into a body of work (hence the static pages), and secondly as a platform on which to publish shorter pieces of writing that don’t fit into my publication schedule (hence this blog).
Continue reading “After much deliberation…”