How to do things with literature: blasphemous speech acts, satanic intentions, and the uncommunicativeness of verses

Bibliographic details

Allington, D. (2008) ‘How to do things with literature: blasphemous speech acts, satanic intentions, and the uncommunicativeness of verses’. Poetics Today 29 (3): 473-523.

Abstract

Literature has at times been theorized in terms of a message passing from author to reader, and this has often been done by reference to general theories of language use: the work is the vehicle of intentions that are realized (or not) in the reader’s responses; the work is a ‘speech act’ that operates on the reader and causes his or her responses. Although this article argues that such theorizations mistake the role of communication in literature, it suggests that they nonetheless reflect prevalent ways of talking about literary texts, which should be investigated as tactically useful techniques employed in discourse between readers (and nonreaders) of those texts. Drawing on the work of a range of thinkers, notably Quentin Skinner and Jerome McGann, this article then proposes an alternative application of the concepts of authorial intention and speech act to the genesis of literary works. This is followed by a study of early contributions to the public controversy over The Satanic Verses, in which Lena Jayyusi’s analysis of moral action descriptions is used to draw attention to commentators’ ideological attempts to structure this novel as a speechlike action carried out by its author Salman Rushdie.

Notes

If you would like a copy of this paper, please fill in the short web form at the following address:

http://oro.open.ac.uk/cgi/request_doc?docid=4817

It only takes a moment, and – provided that you enter a valid email address – your copy will soon be on its electronic way.